The Chorus In Antigone

The Grecian tragedy is one of the oldest and most enduring forms of drama. dating back to the times before Christ, this early drama was in fact a way in which to honor the goddess Dionysius in the fields of a good harvest. From the beginning, the Chorus has been the integral operator that created much of the ancient drama that is still admired today. In fact, in the beginning of the classic tradition, dating to 534 BC, the plays were only the chorale odes. It was not until Thespis added actors that the brilliant Grecian drama as is cognize was born. Hence, the emit line has always been a part of the longstanding Greek tradition. In Sophocles Antigone, this importance is not lost, but instead exaggerated to colossal proportions. The chorus has several most-valuable jobs in Greek drama. First, it offers the listening the past history of characters in the play. Also, the chorus lets the audience know of deaths that have occurred off stage, so that the morals of Greek tradition are not compromised by the play. The chorus is as well as the voice of the people and gives advice to the other characters in the play. Lastly, and most importantly, the chorus provides the moral mouthpiece of the playwright and the meaning of the story.



In the ways, the chorus proves to be of limitless importance and Antigone uses all of them in rarified fashion.

        The chorus first proves to be instrumental by legal transfer the audience up to date on actions that have already taken place before the beginning of the play. This is especially important in Antigone, where the play is actually the third part of Sophocles hammy trilogy. This characteristic, therefore, allows the audience to follow the story without having to refer to the previous parts. The...

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