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Friday, April 5, 2013

Transition from swing to bebop in jazz.

Swing to Bebop: Inherent Social Changes

The 1920s and 1930s were a period for unique African the Statesn contributions to the symphony world. The twenties, which have now been termed the bed age, laid the foundation for jazz as a marketable mainstream fascination. Throughout the twenties and thirties, trip the light fantastics such as the Charleston, lindy Hop, and Jitterbug helped to estimable the big band profession in entertainment. Swing emerged as a genre formulated on a swinging 4/4 beat with springy performances completely written-out and arranged. During the 1940s a new form of jazz emerged cognize as bebop. Bebop is largely attributed to the efforts of John Birks Dizzy Gillespie and Charlie Parker. The branch of bebop was not a sharp transition. Rather, it was the natural maturation of jazz that merely caught on and became popularized due to social mint of the time.

In the early parts of the twentieth century, Reconstruction hopes had been dashed by race riots, lynchings, disfranchisement, the spread of Jim Crow laws, declining educational opportunities, and the exclusion of depressed labor from skilled industries making it clear that white America had renounced any responsibility for the welfare of the disgraceful population. Many black leaders during the period advocated a self- mitigatement position. Booker T.

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Washingtons Tuskegee propose argued that mastery of a skill was the only way to improve the situation of African Americans. In 1910, James Reese Europe founded the Clef beau monde which was a self help organization designed to secure the music trade for as much of Harlem as executable by pooling resources and rationalizing business practices. Unfortunately, the Clef Club became the aristocracy of the black music world who played in exclusive hotels and society dance gigs by the 1920s.

In the 1920s, when the economy was on the rise, many families trained their children...

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