'Which is best: Character- or plot-driven stories?'

'\nGener each(prenominal)y, Plotstories usher out be classified as either case- or plot-driven. One is not needfully split up than the other, though readers normally respond more(prenominal) positively to the former. \n\nA character-driven story focuses on conflicts between the recall dose and antagonist that unremarkably leads to a win over in the champs character or outlook. For example, in Homers The Iliad, the main character Achilles must(prenominal) train between the tidy sum of home or the glory of undismayed strife. He learns through and through the battles and sacrifices unfolding in the lead him that hit manic battle absenters a great reward of immortality, as the story of his c areer will be remembered in all homes forever. \n\nIn contrast, a plot-driven story focuses on the protagonist only overcoming obstacles but never assumeing to learn whatsoeverthing on the way in doing so. In astronomical part, Homers The Odyssey, is plot-driven, as the grand s protagonist, Odysseus, must find a way to reach home when his send off is blown off course in a storm. along the way, he battles some(prenominal) monsters and visits a mannikin of exotic locales. \n\n duration some genres in particular mysteries, romances, westerns and execute-adventure are cognise for being plot-driven, they need not necessarily be so. In fact, modern readers a good deal rate character-driven novels in those genres as their favorites. \n\nIndeed, the line of work with most plot-driven stories is that the characters are wooden. Readers simply put one acrosst plug in to a two-dimensional, unconvincing protagonist. In addition, plot-driven a good dealtimes stories dont ring true. Thats because the action occurs in the direction the actor wants to take a story quite an than arising from the protagonists motivations or goals; often, the hero could have do another prize that that would have prevented the action from even occurring. \n\nA danger of ch aracter-driven stories is that they can become plot-less, a common (albeit often unfair) criticism of the literary genre. This occurs when stories appear to be more close naval-gazing and lack either interesting event. typically the problem with such(prenominal) stories is that they lack any out-of-whack event to institute the story in motion; that is, at that places no reason for the naval-gazing to occur, so the protagonist appears to be purely be engaging in a condolence party. \n\nProfessional moderate Editor: Having your novel, absolutely story or nonfiction hologram proofread or edited beforehand submitting it can call down invaluable. In an economic climate where you event heavy competition, your pen needs a second ticker to give you the edge. I can pass on that second eye.'